In my previous blogs, I have often mentioned about serendipity. It’s a magical word, and the effect of serendipity in our lives is even more astonishing. One such example would be how a great inning from the maestro Sachin Tendulkar would lead me to Blade Runner and the C-beams speech. And that leading to my revelation about the science fiction in Hollywood.
It was the summer of 1998 when I witnessed what is known as “The desert storm” — Sachin dismantling the ominous Aussie bowling attack in Sharjah. The ferocity and sheer brilliance cannot be explained to anyone who hasn’t witnessed it. It was devastating and lyrical. The next day as I still reminisced the flurry of strokes by the little master, I came across a compilation of musical scores. One of them caught my interest instantly as if it complemented the replays of the previous day going through my mind. I noticed that the music was called Chariots of Fire, a tune I had heard many times before, composed by none other than Vangelis.
Fast forward a few years when I’m working and have all the money to splurge as I have no outgoings. Finding Vangelis albums in Calcutta was extremely difficult as the handful of well-known music stores mainly stocked what the most people wanted — 90s boy bands, 80s rock and 70s pop. Who’d be interested in a Greek electro composer? Still, I found luck and the old love rekindled. Each CD cost equivalent of £50, but I still bought a few. Apart from Chariots of Fire, China and Antarctica, there was another compilation album called Themes. That’s where I came across Blade Runner first. It was the title soundtrack of the film, and unlike the serene Antarctica or China, the music was strikingly different. The music seemed so in sync with the name Blade Runner as though the protagonist running against time — the Laser beans shooting past him in a futuristic setting. Learning from hearsay, later on, I thought it’ll be another cop film. But regardless the genre, Blade Runner compositions has been permanently etched in my memory.
Let’s blitz past another decade. The year is 2017. I came across reviews of the Blade Runner 2049, the sequel to the original film. The superlative reviews, about how the sequel befits the original film perfectly, made me want to watch this amazing film. However, a lesson I’ve learnt watching Tron: Legacy is that I should at least learn a little about the original film if I’m going to watch the sequel first. And that’s how I decided to watch Blade Runner.
This brings me to the role of serendipity again. I needed all these preludes to tell a story behind deciding to watch Blade Runner. The rest is pure magic. It is undoubtedly one of the best science fictions I’ve ever watched. Set in 2019, this doesn’t perhaps resemble the world we will be living in two years, that most of Earth’s populations will set sail to intergalactic colonies, and there will be flying cars and replicants. But when you think that the film was made in 1982, the concepts of the film and visual effects are mind-boggling. Most of the film features a bleak backdrop — a dystopian LA full of darkness and dereliction. And throughout the film, the music from Vangelis casts the web of magic that complements the sense of noir in the film, yet in a very futuristic world.
I’m not writing a film review here, so I won’t go into the nitty-gritty of the film. But it was an amazing experience, even watching it on my iPad. All I would say that it was a thought-provoking film, and asked many existential questions. Questions that are still unanswered and admirers are still looking for answers arising from the closing scene of the film. And then there was the C-beams speech. A speech that immortalised Rutger Hauer amongst the Blade Runner fan community. The sheer contrast of character that the viewers witness in Roy Batty during the closing climax was baffling enough when he saves Deckard from falling. Just as we begin to take in what had just happened, the C-beams speech happens!
“I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears in rain. Time to die.”
The words weren’t profound, but they exposed the development of conscience and emotion in the Nexus-6 models, something that they weren’t designed for. But beyond those dramatic words superbly drafted by Rutger Hauer himself, the C-beans speech leads to another window or realisation.
As we are left spellbound at the climax of the Batty vs Deckard duel — Roy Batty said his last words, the white pigeon fluttering away symbolic of his freedom, the downpour and the dark background and finally, the mesmerising music from Vangelis — the film seemed unmistakably 80’s. And it made me wonder. Was 80’s the best decade for science fiction movies? And you think of Tron, Blade Runner, Terminator, ET, Back to the future, Predator, Alien. The list goes on. And when you look at the visual effects and the concept adopted in the films, the ideas are still fascinating even considering forty years of advancement in science and technology. At times it feels like we have let down those visionaries who depicted a picture of the future, by not advancing enough! I mean, there are brilliant science fictions since the eighties like Jurassic Park, Matrix trilogy, Inception. But the flurry of maverick ideas that we see in the 80’s seems to have been lost. The scripts are much more mainstream and cautious. We have talking robots like in Transformers, but they don’t make C-beams speech anymore.
Watching Blade Runner was nostalgic in another sense. Apart from marvelling at the concept behind the film, it reminded of the growing up, the teenage years, forbidden pleasures of going to the cinema without telling at home. I recently came across a term — Xennials, a generation born between 1977 and 1983, a crossover between Generation X and the Millennials. They are characterised by having the cynicism from the Gen X and optimism of the millennials. This unique combination is perhaps the result of an analogue childhood and a digital adulthood. Living in an analogue world meant the digital reality of today was science fiction then. The information was scarce, so science fictions opened the magic doors to a glimpse of the future. Blade Runner rekindled those memories of the past, and provide inspiration to explore the magical world of science fictions. All this due to a whirlwind inning nearly twenty years ago.
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